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2, Halloween, Hannibal, Harry Potter, Her, Hereditary, Home Alone, Hot Fuzz, Human Nature, I Tonya, In Bruges, Inception, Indiana Jones, Inglourious Basterds, Inherent Vice, Inside Out, Insomnia, Interstellar, Iron Man, It Follows, Jerry Maguire, John Wick, Jojo Rabbit, Joker, Juno, Jurassic Park, Kill Bill, Kiss Kiss Bang Bang, Knives Out, L.A. Strangelove, Dredd, Drive, Dunkirk, Edward Scissorhands, Eternal Sunshine of the Spotless Mind, Everything Everywhere All at Once, Ex Machina, Fargo, Fences, Ferris Bueller’s Day Off, Fight Club, Following, Ford v Ferrari, Forrest Gump, Free Screenplays, Free Script Example, Friends, Frozen, Game of Thrones, Get Out, Ghostbusters, Girls Trip, Gone Girl, Good Will Hunting, Goodfellas, Gravity, Groundhog Day, Grown Ups, Guardians of the Galaxy Vol. * Playscripts:The one-acts “Hamlet on Spring Break” and “Jenna and Her Prize-winning Pig Change the Course of History.Tags: 12 Angry Men, 12 Years a Slave, 127 Hours, 1408, 1917, 2001: A Space Odyssey, 21 Jump Street, 300, 500 Days of Summer, 8 Mile, A Christmas Story, A Clockwork Orange, A Quiet Place, Adaptation, Alien, Almost Famous, American Beauty, American History X, American Pie, American Psycho, Anchorman, Annie Hall, Anomalisa, Arrival, Avatar, Avengers: Endgame, Baby Driver, Back to the Future, Barry, Batman Begins, Beauty and the Beast, Being John Malkovich, Big Fish, Birdman, Black Panther, BlacKkKlansman, Blade Runner, Blade Runner 2049, Breaking Bad, Bridesmaids, Butch Cassidy and the Sundance Kid, Call Me by Your Name, Carrie, Casablanca, Castaway, Catch Me If You Can, Chernobyl, Chinatown, Christopher Nolan, Citizen Kane, Coco, Collateral, Confessions of a Dangerous Mind, Crazy Rich Asians, Creed, Creed II, Crouching Tiger Hidden Dragon, Deadpool, Deadwood, Detectorists, Dexter, Die Hard, Django Unchained, Dog Day Afternoon, Donnie Darko, Doubt, Dr. * Heuer Publishing: The one-act “The Fruitcake” (in conjunction with Brooklyn Publishing, a corporate cousin.
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* Eldridge Plays and Musicals: The full-length “Fairweather Friends,” the one-acts “Code 40 Verona,” “Hit the Books,” “Macbeth Goes Hollywood,” “My Girlfriend’s Stupid Talking Parrot,” and the collections “24/7” and “Animal Instinct,” the latter of which includes the one-act “Spiders.” * Brooklyn Publishers: The one-acts “The Fruitcake,” “The Kissing Consultant,” “Mac and Beth” and “The Weird Sisters Go On Holiday.” * Big Dog Plays: The one-acts “Red, Ripe and Round” and “Santa Claustrophobia.” If so, let me know, and we’ll see if we can do business, without any money changing hands.
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So browse through the “scripts” category to see if there’s something that strikes your fancy. But all the rest - and believe me, I have many more - are available royalty-free. I’ll even include a list of my published scripts. I invite you, of course, to patronize my publishers. If you’re a high school or community theatre looking for scripts but dreading royalty payments, this is your lucky day!
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So it’s in my interest to get scripts produced - royalty-free - so I can more quickly get them in front of publishers. My ultimate goal is to see my scripts published (which means they’ll get performed more often, and publishers do want to be paid, which means I get royalties there.) But most publishers won’t consider work unless it’s been produced (sometimes more than once.) My psychic payment comes from seeing my work performed (or at least knowing it’s performed, in the case of distant venues.) And I know most theatres don’t have piles of cash sitting around.īut also. Fortunately, I do have a day job (which sometimes is a night job, too, but that’s another story.) So I’m not trying to make a living at this. Here’s why: First, being a playwright isn’t a paying gig. Yes, you read that right: Most of my scripts are royalty-free.